Do people always say you should do something with that great sound of yours? Do you hear to the voices on TV and radio and think: ?That sounds like fun. I?d like to do that!? Would you like to voice cartoons, documentaries or books on tape? One of the greatest misconceptions about voiceover acting is what we like to call the myth of the Golden phonation. Do you have to sound hugely resonant and deep like James Earl Jones, or authoritative like Don LaFontaine to make money in voice over acting? As a matter of fact, you do not. in the commercial world all kinds of voices are needed. So, even if you don?t have a classic ?good phonation? you can enter the field if you have determination. Performers are called voice actors, phonation actresses or voice artists, and may also involve singing, although a 2nd phonation actor is sometimes cast as the character’s singing sound. At its simplest, this is just a short phrase which is played back as necessary, e.g. the Mind the gap announcement introduced by London Underground in 1969. In a more complicated system such as a speaking clock, the phonation artist usually doesn’t actually record 1440 different announcements, one for each minute of the day, or even 60 (one for each minute of the hour), instead the announcement is re-assembled from fragments such as “minutes past” “eighteen” and “pm”. sound Over work is an exciting career for voice-over talent but you need training to develop professional phonation-over skills to participate effectively in this industry.
This can either be very disheartening for everyone else, who is not experiencing such fame and fortune, or worse, can be the kind of carrot which encourages beginners (and sometimes people with more experience who should know a lot better) to hold out for the glamour jobs at the expense of getting busy with the day to day gigs. These jobs may be little regarded and not very lucrative but they provide the grounding that can make you a realistic candidate for the better work when those opportunities do come your way. Certainly, there are people who luck into attractive sound-over work because they happen to have a profile in some other area, but anyone making a career or a substantial part of their vocation from voice-overs is likely to have put a lot of hard work in honing their craft so they can earn their current money. Making a voice over demo is a very personal, artistic and technical process. You can go about doing this on your own but it is advisable to consider the possibilities of having a demo produced for you professionally. Your voice over demo can be your ticket to success and often serves as the first impression of your phonation a prospective client will hear.
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